I had no idea what to expect going into Hallucinating Foucault. I’ve
never read anything Foucault wrote and I generally know very little about
him. I don’t think these facts impacted
upon my enjoyment of the book too much.
I could sort of tell that there was a layer to the book that was just
out of reach, maybe an odd reference here and there, but generally all the
pertinent bits are explained by Patricia Duncker for us slightly ignorant
types. At least I think they are. It could be that there’s some whole other
meaning to the book that’s only apparent to those with an intimate knowledge of
Foucault. If so I’m happy in my
ignorance, it’s still a pretty good book.
Hallucinating Foucault
is a tale of obsession and the line where that blurs to love. The unnamed protagonist is a scholar writing
his doctoral dissertation on fictional author Paul Michel. At the behest of his equally anonymous Schiller
obsessed girlfriend, he moves from studying the books to studying the man. All this leads to the protagonist breaking
Michel out of a mental institute and embarking upon an Autumn-Spring love
affair. All the while both Michel and
Duncker are obsessing about the relationship between author and reader.
In a nutshell, this is a story about the importance of the
reader to the writer and vice versa.
Paul Michel obsesses over Foucault and his work just as the protagonist
obsesses over Michel himself. It’s a cyclical
tale. Or rather it’s a tale of
evolution. While Michel only imagines a
relationship with Foucault the man, the narrator seeks him out and lives that
relationship. Michel’s obsession with
Foucault as his reader also contributes to his madness. When his reader dies, believing that there is
no-one to listen any longer Michel has a psychotic break- going on a rampage
through the Pere Lachaise cemetery. Once
Foucault died, ‘there was no-one to listen and [Michel’s] language vanished
along with [his] reader.’ Maybe these
themes aren’t universal to authors and Michel was mad to begin with, but it
kind of makes you wonder just who Duncker’s writing for.
Of course, Michel isn’t the only mad and obsessed figure in
the book. I’m unwilling to give away what
is actually quite a clever twist, but it’s safe to say that every character has
their own passion driving them and the narrative. And as Michel remarks, ‘madness and passion
have always been interchangeable.’
This is more than just a clever book about clever people
getting a bit too into the things they’re reading. It’s funny.
In fiction, lunatics out of their asylums always leave brilliant
anecdotes. And it’s sad. After all, it is a story centred around
doomed love. The whole affair leaves you
with a sense that the characters are even more lonely at the end than they were
when the story began. The narrator is a
man to whom things happen surrounded by people who make things happen. Both his girlfriend and Michel leave him for
their other loves, his girlfriend for the intellectual life studying and
translating Schiller. Michel leaves him
for Foucault.
My next book on the list is Carol Shields’s The Stone
Diaries. I’ve also finally retrieved my
actual book copy of the 1,001 list from my parents’ house, so now the next book
selection process is set to be much more enjoyable for me. Of course, if anyone has any suggestions, I’m
open to those too.
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