Wednesday, 7 January 2015

Sentimental Education

I’m almost certain nothing happens in Sentimental Education.  Okay, that’s not fair.  Things happen, the 1848 Revolution in Paris happens.  It’s more that the characters don’t do anything.  The main character, Frédéric Moreau, especially seems inclined to do nothing of note.  Strangely, this doesn’t make Sentiment Education a bad book.  It’s a wonderfully written hedonistic tale of a man who has more money than sense and a whole group of people who seem to make it their life’s work to do as little as possible. 

The main love story, if you can call it that, is mostly just a parody of romance.  On about page two of the book, Moreau encounters Mme Arnoux and falls wildly in love.  It’s the love at first sight kind of love that may be more accurately described as lust but the language that Gustave Flaubert uses is so ridiculously over blown that we’re in comfortable parody ground.  It continues much in this way throughout the rest of the book.  There’s one bit particularly that reminded me of my time studying the old Middle English courtly Romances; “he loved her with reservation, without hope, unconditionally… it was a longing for self-sacrifice, a yearning for self-destruction, and it was all the stronger because he could not gratify it.”  As I said, the whole book continues in this vein with Moreau leading on and then abandoning various women all the while pining for Mme Arnoux.  In the end, he discovers that his love is requited, but neither party has any intention of doing a thing about it.  Parody though it may be, it was dreadfully gloomy to read over my Christmas break.


I’m not really sure about the politics and the history of the book.  If I’m honest, my knowledge of French history stops after about 1793 and then restarts in a patchy sense around beginning of the 20th century- and most of that’s based in films and world wars.  There are barricades in the book, in the revolution going on in Paris when the book is set so I assumed it was the same one that Victor Hugo bangs on about in Les Misérables, but according to Wikipedia it’s not.  The French had confusing amount of revolutions.  The main characters in Sentimental Education show about the same level of understanding as I do about the thing, so that didn’t really help further my knowledge of it either.  Moreau shows at best a passing interest, a morbid fascination with the corpses in the street and I find this amazing; that anyone can be so indifferent to the politics that affects them.  All the politics in the book is filter through Mademoiselle Vatnaz, the only character interested in the events and, in what is a pretty interesting and revolution view for a novel published in 1869, votes for women.  I like Mademoiselle Vatnaz.

This is another book that I’ve found it difficult to write about.  It’s very much a book of its time.  I think it’s one of those stories that would have been hilarious in 1869, but with time and distance so much of the humour is lost on me because I’m not aware of the things that Flaubert is satirising.  I don’t know that much about 1840s Parisian society and so my experience and enjoyment of the book are limited; had I not been taught about courtly Romance and so known how to spot it, this would have affect my experience of the love story between Moreau and Mme Arnoux too.  It’s so frustrating when I find books like this; ones that I know are good and want to enjoy far more than I can because it’s simply impossible to know everything, so really there’s nothing that can be done about it.


Next time with Christmas holiday read number four, it’s the return of Toni Morrison.  This time with Jazz

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