Following last time’s tipsy ramblings we have Slow Man by J.M. Coetzee. Now Coetzee appears a fair old amount on The
List and fair enough, I guess. He has
two Booker Prizes- he was the first person to achieve this- and he has a Nobel
Prize in literature. Suffice to say, the
dude can write. Even so, at times when
reading his work I have trouble seeing what all the fuss is about and Slow Man is an example of this.
The book tells the story of Paul Rayment, an average
sixty(ish) year-old man with a failed marriage and a penchant for cycling. When he loses his leg in an accident he is
forced to rely on a nurse- Croatian born Marijana. Naturally, despite a wildly inappropriate age
difference and the fact that she is happily married, Paul falls madly in love
with her. At this point in comes
Elizabeth Costello, the eponymous heroine of one of Coetzee’s earlier works
that I am now really not looking forward to reading. The parts she’s in are basically the worst
parts of the book. Anyway, she forces
her way in, claiming to be drawn to the pair in some mystical and utterly
bullshit way, interferes with Paul’s life a bit until he works his way through
his hatred for her and into begrudging honesty.
All the while, Paul is making romantic declarations to Marijana and
trying to convince her husband to let him pay for their son’s schooling.
I’m being very harsh on the book. It wasn’t all terrible at all. The sudden loss of (and subsequent clinging
to) one’s independence is something I think everyone can relate to a bit- if
not in themselves then in their aging parents or grandparents. And Coetzee does it well. Paul refuses to get an artificial leg and you
get the feeling it’s because he is in denial.
Marijana frequently goads him as he acts as though the leg to grow back
and the fact that he won’t get the prosthetic limb does make you wonder if he
thinks that his situation is temporary.
Another part of the book I enjoyed was a wonderful little
rumination on love. Even though his love
is unrequited, he still loves Marijana.
He says that he doesn’t need her to love him back as he loves her enough
for both of them. It’s a lovely thought-
this strange combination of eros and agape, even if it’s not entirely realistic
and I’m sure it’s a thought anyone who has ever experienced unrequited love has
had at some point or other.
My main issue with this book was Elizabeth Costello. She is unnecessary. The characters could have driven along the
action without her and I’m not sure why she was there for most of it. Coetzee is brilliant, but bringing her back
feels lazy. Slow Man had the potential to be really enjoyable, but she ruined
that. She is a book ruiner. And I don’t think that there’s any worse
thing to be.
So, there you have it- Slow
Man. It’s not Coetzee’s best book,
but it’s far from his worst. But when
it’s compared to something like Disgrace
or Youth, it’s nothing. It’s not even comparable to Disgrace or Youth. I am sure that it is
only on The List because it was written by Coetzee and the Cult of the Author
kicked in. Had it been penned by anyone
less revered, I doubt it would have made the cut. It is quite simply mediocre.
My next blog will be all about Haruki Murakami’s wonderful After the Quake. I can’t wait to tell you all about it.
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