Until recently I had no idea that William Morris ever wrote
books. He was another obscure joke in my
family when I was young. My mum was
jokingly convinced that I loved his wallpaper patterns when I was about seven
and as a result I ended up with this strange pack of Morris-Pattern wallpaper
postcards. They would have all looked
god awful in any room smaller than a football pitch, but they worked in
postcard format. Good for computer
wallpaper, horrible for walls. There was
a quite nice khaki one with birds I seem to remember.
Anyway, Morris was also well into his socialism and News From Nowhere is effectively a
manifesto on the subject. It’s partly
that, it’s also a bit gothic-novel-y in the sense it’s one of those stories that’s
bookend with ramblings about how it didn’t happen to the main character, it
happened to someone else. The book tells the story of not very imaginatively named
William Guest a man from the nineteenth century who hops forward in time to see
how things are shaping up in 2052. Given
that at this time it’s been 100 years since The Revolution, he is surprised at
the changes. They have sorted out all
the social inequality and whatnot, but there are still no mobiles. There are never iPhones in the imaginary
future.
The novel itself is okay, I guess. It’s a nice thought and I do like the ending;
Guest returns to his capitalist hell but he returns with hope, or more
accurately knowledge that things do get better and that he and his brethren are
laying the foundations for a stronger future.
But… the whole thing is a little dry.
The plot is mostly Guest being shown things and having the socialist
system explained to him, while his hosts laugh at how old and grizzled he
looks. And the ideas are so naïve. The idea that socialism or communism would
work is hard enough to accept but the one that nations would eschew education
in favour of glorifying physical labour is impossible to believe. I know I am biased when it comes to books but
people always want to learn. This is why
there are non-fiction books and films and I don’t accept such a cultural shift.
The other thing that I found interesting in this book where
the dates. Morris published more than one
edition of News From Nowhere and, if
the explanatory notes are to be believed, each new version set the time line of
the revolution and of the socialist evolution back as Morris grew more
disillusioned and cynical. Even things
as small as the date a bridge was built changes. And I like that; for all the rhetoric and big
dreams it’s awfully human to just give up a little bit. To compromise those big dreams in the face of
an unchanging reality. I usually regret
reading the explanatory notes, (especially in Oxford World’s Classics editions)
either because they’re for Americans and so tell us just super patronising
England-facts or because they’re riddled with spoilers. But this time it made the book better. And it made me like William Morris a little
bit more.
I’m now on to Watchmen
by Alan Moore and David Gibbons. There
are more pictures than I’m used to in books for adults.
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