I was not keen on The
Adventures of Huckleberry Finn. I
read The Adventures of Tom Sawyer I don’t even know how many years go and I
wasn’t keen on that either, so I’m not sure why I expected any different. I’m sure I’ve read things about Mark Twain
actually being a pretty cool chap, but I’m just too old to read a book about a
teenage boy who takes pride in his ignorance.
I don’t like Huck. He needs to do
less messing about on the river and more learning to read.
To be fair, pretty much everyone in the novel is
stupid. An entire town seems to get
taken in by the cons of a man pretending to be the (actually dead) Louis
XVII. Pro-tip, if someone tells you
they’re the rightful King of France, they are lying. Most of the novels characters are so stupid
they’d fall for one of those Nigerian Prince e-mail scams. Although, in many ways it’s reassuring to
know that cons haven’t really changed in the last couple of hundred years or
so.
As much as I keep banging on about it, it’s not really the
characters’ stupidity that ruined this book for me- that’s only part of the
picture. The novel is written in about
five different dialects of the Deep South.
Now, I have nothing against books written in local dialects. Once you get your head around it,
Trainspotting’s really enjoyable-if enjoyable is the right word for it. But it makes The Adventures of Huckleberry Finn so much bloody work. The fact that no two people talk in quite the
same way makes it so hard to adjust and then finally you get there only to find
that they’re talking absolute shit anyway.
It was a true exercise in frustration for most of the book.
I wanted to like this book or find a way to engage with
it. The Black Lives Matter campaign
shows that there are parts of the novel that are still horribly relevant today,
but the frequent use of the n-word just made me feel a bit uncomfortable. Yes, you have to judge it by contemporary
standards and Huck is forward thinking by them; but he still does sound very
racist. And the dialect that Jim speaks
in is cringeworthy. All of this seems
horribly at odds with Oxford World’s Classic’s ever wonderful (and in this case
highly optimistic) explanatory notes that are deemed necessary the first time
the n-word appears. I mean, even if
society weren’t institutionally racist, we’ve all heard Jay-Z songs. That word does not need explaining to anyone
old enough to read this book.
I will leave you on a positive
note. There was, in retrospect, one part
of the book that I actually quite enjoyed.
One of the con men (the Duke, I think) is giving a Shakespearean
recitation and it’s glorious. The whole
thing’s written in Shakespearean English so it’s by far the easiest part of the
book to understand. And it’s this
brilliant mash-up between Hamlet, Macbeth and Richard III. It’s utter
nonsense, but it’s Twain writing clever nonsense; which I appreciate. It includes the lines, “the undiscovered
country from whose bourn no traveller returns, breaths forth contagion on the
world.” Which is kind of true, when you
think about it…
I’ve now moved on to Empire
of the Sun by J G Ballard.
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