A Kestrel for a Knave
is brilliant. It’s another of those
books that I’ve been meaning to read forever and have just had such trouble
getting my hands on. It’s always checked
out of the local library and I can see why.
Barry Hines’s little novel is wonderful and, yes, it probably owes a lot
of its popularity to Ken Loach and the fact that Kes was based on it. But
that doesn’t diminish just how good it is.
One of the things I loved about A Kestrel for a Knave is the way the story is told. Essentially we follow Billy Caspar throughout
the course of one day- the day Kes dies (spoiler, I guess). A good half of the story is told in flashback
and it works so well. This makes the
book bloody succinct. As soon as Kes is
found, we know that Billy succeeds in training her without Hines showing us the
months of this arduous process. It’s a
nice way of letting us experience all of Kes’s lifetime without actually having
to experience the boring bits of Kes’s life.
There’s an immediacy between Billy finding her and her death that would
be lost if the flashback format wasn’t used or, indeed, if the book were split
into chapters.
The story is simple and well told and so readable, but the
best bit of the book is Billy’s passion.
One scene is set in an English lesson and while the boys are being
taught the difference between fact and fiction, Billy recounts how he has
trained Kes to the class and to Mr Farthing- literally the only good teacher in
Billy’s entire school. What could have
been a dry procedural bit of text is transformed by Billy’s passion for what he
is talking about. It’s almost tangible. And it helps so much that he is being egged
on by Mr Farthing. It is the only time
in the entire book that Billy is encouraged to talk, or encouraged full stop. It’s the moment of the book that gives the
rest of it poignancy. While Billy is
being written off as useless by his mother, the other teachers and the man from
the youth employment agency, we are shown that he has the potential to do so
much more.
Another thing I loved about this book was the accents. I almost always enjoy accents. Coming from Kent, I’m not used to accents
that you have to write differently to how words are spelled. Maybe there’d be a few dropped ts or hs, but
it’s not like the Yorkshire of A Kestrel
for a Knave. And while I’m not a
hundred percent convinced of the veracity of these accents; I know a fair few
people from various parts of Yorkshire and I’ve never heard even one of them use
the word “thee” in quite the way the Caspar family do, I still love it.
So, there it is; A
Kestrel for a Knave. Essentially, it’s
a very readable and surprisingly interesting tale of it being grim up north
unless you have a nice bird (and even then it not really being that nice)- that
kind of working class despair that we’re
all going to become well acquainted with under Tory rule. Also, there’s a completely inappropriate
Thalidomide joke that took me by surprise, so that was a nice bonus.
I am now on to book 400- The
Grass Is Singing by Doris Lessing.
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