As I mentioned at the tail end of my last blog, I have been
waiting to read Solaris for
ages. I think it’s got to the point
where it has literally been years. I
read something about the 1972 film version back when I still read things about
film instead of shaking my head and despairing of the entire industry, and it
sounded fantastic but (me being me) I had to read the book version first. It’ll probably be years again before I can
track down the film. Anyway, the book’s
one of those slightly too obscure to get cheap in a charity shop but popular enough
to always be checked out of the library types and I’ve only just managed to get
my hands on it. Naturally, after all the
waiting, I read the entire thing in a day.
Needless to say, I really enjoyed Stanislaw Lem’s book.
It’s about this sentient ocean on a distant planet (Solaris)
and the scientists who, when they get no-where in studying it with standard
science just x-ray the shit out of it and seem to piss of said sentient ocean
pretty badly. The novel starts with Kris
Kelvin arriving to an angry sea, a recently dead colleague, and two paranoid
scientists. He quickly discovers that
the ocean uses repressed memories as a form of attack and soon his dead wife
starts visiting him. I don’t really want
to give too much more of the plot proper away.
It’s good, it doesn’t end well: spoilers over.
One of the great things about this book is the fact that it
reflects the obsession of the scientists.
It does that proper sci-fi thing of building a great interesting world and
Solaris is so different from Earth, so unknowable that it’s fascinating. Lem provides the whole history of the study
of the planet which, given that it’s essentially a century of “it might be like
this; it might be like that, fucked if we know,” should be boring. But it’s not.
Lem manages to make you both invested in the planet and the oceanic
creature that inhabits it and lets you understand why the scientists can’t just
leave well enough alone. It’s a real
feat. On top of this, Solaris includes philosophy about the
nature of living things and gods and it somehow all comes together in one
coherent, fairly short, novel. It’s
great.
The only thing I didn’t like, and this feels like such a
minor nit-pick, is Kelvin’s wife. Harey
(or Rheya, depending on which translation you’re reading), was nineteen when
she died. Now, Lem doesn’t actually
mention the exact age of Kelvin and Harey has been dead ten years, but the
novel still makes it feel like there was probably a super-creepy age gap. I don’t know why, it’s just a vibe I got from
the thing. On top of that, Kelvin makes
a throwaway comment about having lived with her for years, so there was almost definitely
a time when things were questionable age-wise.
To sum up: I like this book.
You should read this book. It is
a good book. I really don’t want to
write more of a summary than that, so have a quote about god instead; “That is
the only god I could imagine believing in, a god whose passion is not a
redemption, who saves nothing, fulfils no purpose- a god who simply is.” I think they took that part out for the
George Clooney version.
I’m now moving on to Good
Morning, Midnight by Jean Rhys.
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