Love in a Cold Climate
is an odd book. It’s a good book. But odd.
It’s Nancy Mitford’s sort of sequel to The Pursuit of Love and, like the first book, it’s narrated by
Fanny Logan and concerned, primarily on the love lives of everyone but
her. I can’t say I blame Mitford for
brushing over her narrator’s romances; they’re as dull as dishwater. She marries young and stays married, popping
out the odd child as and when it becomes appropriate. The rest of her family and social circles,
however, seem far less set on settling down or being appropriate. This time it’s the turn of Lady Polly
Hampton, her straight lace mother, Lady Montdore, and their shared lover,
Polly’s uncle, Boy Dougdale. At this
point, I do need to clarify that Polly’s uncle and mother are not brother and
sister. Sexually inappropriate (and
shocking for the time) as it is; there’s no incest.
Anyway, back to the oddness.
The book is split into two distinct sections: the Polly Years and the
Cedric Years. These are not official
titles of the parts, but they’re pretty apt.
Fanny grows up with Polly and a lot of it takes place at the same time
as The Pursuit of Love- that book’s
main character is absent largely because she is not deemed a suitable companion
for Polly by her mother. The early
chapters do have a sense of Mitford ret-conning her earlier work. I don’t have The Pursuit of Love available to check in any great detail, but I
don’t remember too many mentions of Polly Hampton in that book. Polly is beautiful and rich and indifferent
to men. She is a difficult character to
identify with because she is so ethereal.
At times she seems to be only façade.
Even when she elopes with her lecherous uncle Boy, there’s a sense
disconnect there. Yes, we’re told of
events through Fanny and it’s all parsed through her shock but the marriage
seems like an act of parental defiance first and an emulation of love secondly. As such, when it all goes wrong, the reader
is left with a sense of inevitability rather than pity.
The Cedric Years too are strange. Once Polly marries her uncle she is written
out of the will and the inheritance passes to an obscure Canadian relative,
Cedric Hampton. Rather than getting
anything like the Hound of the
Baskervilles or Remains of the Day
fish out of water, slightly quirky new Lord scenario that I was expecting,
Cedric is a screamingly camp gold digger who himself seduces Boy (spoiler). Considering the book was published in 1949,
you can see what I mean about it being shocking and delightfully ahead of its
time. Cedric’s pretty hilarious. Somehow he seems to have no guile but is full
of charm. I want to write all his
actions of as a pursuit of wealth, but can’t- there’s part of me that believes
his motives could be pure despite it all.
And even if they’re not, he makes people happy.
The other reason the book is odd is mostly a case of times
and attitudes changing. Boy Dougdale is
the family joke because of his lecherous tendencies and his interest in young
girls. At one point in the novel,
Polly’s mentioned that she has loved him since she was 14. There are recollections of dubious games of
sardines when the girls are young and a fairly open acknowledgement amongst
Fanny’s family that Boy is a paedophile.
Their whole romance, seen through modern eyes, appears to be one of an
older man grooming a teenager until she believes herself in love with him. Rather than it being a crime, it’s written
off as a bit of a shame. Added to the
fact that Polly always seems a bit ambivalent to love and sex, it can be seen
in a fairly disturbing way and, at times, the humour is lost.
There are a thousand things more I could write about Love in a Cold Climate. I’m again left with the feeling that I’ve
barely even scratched the surface. Lady
Montdore herself deserves to have essays devoted to her; she’s such a wonderful
character. Again, I enjoyed this book
immensely. It doesn’t have quite the same
feel to it as The Pursuit of Love and
I’m glad that the third book in the trilogy, Don’t Tell Alfred isn’t on the list. I don’t think it would be bad, not by a long
shot, but by the end of this book, Fanny is a mother and a wife and a proper
adult and part of me just wants her to grow up and stop sticking her nose into
other peoples’ affairs.
The next book up is HG Wells’s The Time Machine. At 90
pages, it’s more of a novella really.
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