I’d never heard of Lord Peter Wimsey until reading Murder Must Advertise. In retrospect, he’s one of those things that
I really think I should have known about.
I love a good murder mystery. And
there’s a whole series of them. In fact,
until picking up this book I knew basically nothing of Dorothy L Sayers. It was a name that carried a vague
association with the genre, but I kind of thought she might be an American
version of Agatha Christie. But with
more crime organised crime. Aside from
her nationality, I don’t think I was far wrong.
The fantastically named Lord Wimsey and the book as a whole is very Miss
Marple meets Bertie Wooster.
It all kicks off when young Victor Dean falls down the
stairs to his death when at his job at Pym’s Publicity Ltd. Naturally, this isn’t as accidental as the
police first believe and so enters Peter Wimsey, disguised (sort of) as
regular-Joe, Death Bredon: copywriter. Wimsey
proceeds to solve the murder largely by partaking in water-cooler gossip and
skulking around pubs. All is not as it
seems, and after uncovering a cocaine ring and blackmail plot, not to mention
single-handedly winning the company cricket the criminals are all banged up or
carted off to the morgue. I hope that’s
not too much of a spoiler, but the detective does solve the mystery. All this makes it sound like there’s not much
deeper going on in the book and, on the surface it is a pretty light and quick
read. But there is more going on under
the surface.
Murder Must Advertise
paints a pretty disturbing picture of capitalism and the necessity of
advertising. The process of creating
adverts is explicitly detailed and broken down; Wimsey even gets stuck into
creating campaigns of his own (even if he is bafflingly successful without
really trying). There are whole
paragraphs of the book dedicated to just advertising slogans. In fact, this is how the book ends. Once all the crime is over it is the power of
advertising that is shown to endure and what we’re left with is a bombardment
of slogans. It’s scary that even in the
1930s adverts were everywhere and we’re now buried even deeper in
marketing. Sayers uses the slogans to
overwhelm us so that we recognise it as simply crazy that it is so prevalent in
society. When taken out of context it is
mad, but it’s something that we accept without question on a daily basis. Hell, it’s become fashionable to pay for the
privilege of wearing a t-shirt featuring some slogans.
According to the Internet, this wasn’t Sayers’s favourites
of her books. But it’s still
enjoyable. It seems to be a case of her
needing to write a book quickly and so she wrote what she knew and she wrote it
well. Okay, I have no experience, beyond
what I’ve read, of the 1930s London drug scene, but it seems pretty likely to
me; a careful balance of desperate down and outs and those with money to
burn. Besides, any book featuring a
bored Lord who decides that crime solving is just the ticket probably isn’t
that grounded in reality to begin with, so I don’t know what she was so
disappointed about. I mean, my main
issue with the book was the entire chapter dedicated to a cricket match. Reading it was almost as painful as actually
having to watch one, plot points be damned.
I had fun reading Murder
Must Advertise. Yes, it has a
serious side, but it’s quite easy to overlook that and just slip into the
slightly silly crime novel frame of mind (which I find far more enjoyable that
the worrying critique of consumerist society mind set). It’s nice that there are both elements at
play in the book. When all the
capitalism and cynical marketing gets too much it’s lovely to have a good old fashioned
murder to fall back on.
My next read is a second Nancy Mitford book, Love in a Cold Climate.
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